[ptx] Conserving verticals with many control points
Rik Littlefield
rj.littlefield at computer.org
Mon Apr 17 13:14:57 BST 2006
Damien,
Is your "wavy horizon" a smooth sine curve with one high and one low
spot opposite each other on the 360 degree horizon? Or is it kind of
wiggly, with multiple cycles and/or irregularly spaced high and low spots?
If it's a single sine curve, then it's just unlevel, in which case a
couple of well-placed vertical controls really should take care of the
problem. If it's kind of wiggly, with no significant component of a
single-cycle sine wave, then you've probably got the many-small-errors
problem that will be harder to deal with.
If I remember correctly, the panotools optimizer uses horizontal offset
in the pano as the error value for vertical controls. You should be
able to look at the error report to see how well these are being pushed
to zero.
From your email, I can't hear what's going wrong. Perhaps you could
post out an image showing the problem?
Also, the panotools wiki has a page called "Leveling a Finished Pano"
that talks about several options for leveling. You might read that for
ideas -- most of them apply even when you have multiple input images.
You might also try exactly what's described there, to try straightening
your wavy horizon by remapping the finished pano. That takes all of
your ordinary control points completely out of the problem. See
http://www.panotools.info/mediawiki/index.php?title=Leveling_a_Finished_Panorama
--Rik
Damien Douxchamps wrote:
>Hello Rik,
>
>On Sat, 2006-04-15 at 09:46 -0700, Rik Littlefield wrote:
>
>
>>Damien,
>>
>>I wrote parts of the panotools optimizer, and I think that hugin still
>>uses the same approach.
>>
>>There are two main classes of problems.
>>
>>Class 1. Your images stitch together nicely with each other via
>>ordinary t0 control points, but the whole panorama happens to come out
>>not "level". In theory, and usually in practice, this can be entirely
>>corrected by only two vertical controls, preferably about 90 degrees
>>apart. This is because the error contributed by t0 control points is
>>not affected by overall rotation of the sphere. If you have many
>>ordinary control points, then the vertical controls are relatively weak,
>>but still they are usually strong enough that the optimizer needs only a
>>few of them.
>>
>>
>
>This appears to be my case since the average error is .16 pixels (the
>max is .73) for about 270 control points. The panorama looks very well
>stitched too (except for the wavy horizon)
>
>
>
>>Class 2. Your images do *not* stitch together nicely with each other,
>>so it is not enough to just level the whole panorama. This is often due
>>to parallax, misplaced control points, or uncorrected lens distortions.
>>It can also be caused by subject motion, such as movement of trees or
>>clouds that are often chosen by automatic control point pickers.
>>
>>
>
>My pano consists mainly in buildings so there is no problem like motion
>here. Perspective can be tricky in the near field but carefully choosing
>the points is not too difficult in my case.
>
>
>
>>If you find yourself needing lots of separate vertical controls, then
>>you probably have class 2. That is unfortunate. Class 2 is very hard,
>>because you are trying to force an attractive balance of fairly large
>>errors, rather than find parameter values that will push all the errors
>>very close to zero like in class 1.
>>
>>
>
>What I usually do is pick many points, then run the optimized and delete
>the ones that yield a bad match. Then re-run the optimizer, ... This way
>the bad points a filtered almost automatically.
>
>
>
>>The best advice is to avoid class 2. When taking pictures, be sure that
>>your camera rotates properly around the "no-parallax point" (entrance
>>pupil of the lens). Avoid placing control points on features that could
>>possibly have moved between images. Be sure that you do not have any
>>misplaced control points. (Study the lists of errors -- individual
>>control points that have large errors are likely to be misplaced.) Do
>>not use "straight line" controls (type t3+).
>>
>>
>
>Its seems we do the same thing regarding the lists of errors ;-) With
>hugin my control points are all t0 and t1 so I guess I'm not using
>t3(+).
>
>No problems with motion given the nature of the panorama.
>
>
>
>>If you cannot avoid class 2, then there is not a lot that the software
>>can do to help you. As you suggest, the optimizer could be extended to
>>include explicit weights. This would reduce the run time a little, but
>>it would not change the underlying problem that class 2 really requires
>>optimizing a human judgement "subjective" function (attractiveness)
>>rather than a purely computational "objective" one (stitching error and
>>leveling).
>>
>>
>
>Yeah, being familiar with camera calibration I would not even try to
>deal with class 2 in the first place ;-)
>
>
>
>>The one exception to all this is if you have long skinny panoramas, say
>>20 or 30 horizontal frames in a single row. In that case, small t0
>>errors can accumulate to produce significant waves, even when the
>>panorama is level overall. But this is usually handled well by adding
>>just one or two vertical controls per image. From your description, I
>>would guess that you don't have this situation.
>>
>>
>
>I have 11 photos (4MP each) in a single row for a 360° panorama. The
>vertical FOV for each photo is 36°. So maybe I'm having this problem
>after all...
>
>Maybe a solution would be to stitch photos 2 by 2 and then put these
>bigger blocks together?
>
>
>
>>Again, best advice is to avoid class 2. If you shoot carefully and
>>place ordinary control points carefully, you should need only two
>>vertical controls..
>>
>>
>
>I just tried that but it's still wavy. Duh. Is there a way to verify the
>adequacy of vertical control points? (for example, which line angle was
>detected)
>
>
>
>>Hope this is helpful,
>>
>>
>
>Sure, I'm learning every day :-)
>
>
>
>>--Rik
>>
>>PS. Just to be sure the basics are covered... To get proper leveling,
>>you must allow the optimizer to adjust pitch, roll, and yaw of all
>>images. You can set the yaw of one "anchor image", but you must
>>optimize pitch and roll even for that anchor.
>>
>>
>
>I first adjust the position/attitude, then everything. The default
>setting in Hugin is indeed to fix one yaw, and that's what I'm doing.
>
>Thanks for your help,
>
>Damien
>
>
>
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